With concurrent exhibitions at Hauser & Wirth New York, Phyllida Barlow and Anna Maria Maiolino sit down for a conversation about their careers: 152-173, 2003 ---, 'Feminism & Art: Nine Views' (Art Forum International Roundtable Discussion with Linda Nochlin, Andrea Fraser, Amelia Jones, Dan Cameron, Collier Schorr, Jan Avgikos, Catherine de Zegher, Adrian Piper, Peggy Phelan), in: Artforum, New York, v. XLII, n. 2, October 2003, 2002 Costa, Eduardo, 'Anna Maria Maiolino', in: Arts Magazine, New York, v. 7, n. 3, March 2002 Galerie Lelong, 'Role Play: Feminist art revisited 2960-1980', New York NY Hers is a work of liberation: abstraction is freed from the more repressed and puritanical precepts of Minimalism and brought back into the service of the active, desiring body. Nobé Gallery, 'Contemporary Brazilian Works on Paper', New York NY Biennale of Sidney – International Festival of Contemporary Art, Sidney, Australia The National Museum of Women in The Arts, 'Book As Art XI', New York NY Coleções Gilberto Chateaubriand e Museu de Arte Moderna, 'Genealogias do Contemporâneo', Rio de Janeiro, Brazil 50, 263-264, ill. Buckley, Annie, 'The Other Side: Radical Women', on: www.lareviewofbooks.org, Los Angeles CA, 20 November 2017 Anna Maria Maiolino in conversation with Michael Asbury. ___, 'Anna Maria Maiolino at Hauser & Wirth, Zürich', on: www.blouinartinfo.com, New York, 17 October 2016, ill. Add your contemporary art event to ArtRabbit. Add an Event. Nicole Klagsburn Gallery, 'On Paper', New York NY Museu Nacional de Belas Artes, 'Diferenças, coletiva do acervo do Centro Cultural Cândido Mendes', Rio de Janeiro, Brazil IX Salão de Arte de Campinas: Desenho Brazileiro, Campinas, São Paulo, Brazil Through nearly 100 works made by 34 artists over the past seventy years, this ambitious undertaking traces ways in […] Galeria IBEU - Instituto Brazil-Estados Unidos, Rio de Janeiro, Brazil Museu de Souza Cardoso, 'Entre a Palavra e a Imagem', Amarante, Portugal Chiarelli, Tadeu, 'Arte Internaçional Brasileira', São Paulo: Lemos Editorial, 2002, pp. MuCEM', Milan: Skira, 2014 pp.134-135, ill. (exh. Neither linear nor chronological, the ongoing, open-ended nature of her practice enables her to work freely across discipline and media, while marinating a coherent conceptual thread through the entirety of her body of work. Luiza Saddi, Mauro Kleiman, Osmar Fonseca e Rogério Luz, Espaço da Aliança Francesa de Botafogo', Rio de Janeiro, Brazil Camberwell College of Arts, 'Order and Subjectivity', London, England Palácio das Artes, 'Projeto Impressões Itinerantes', Belo Horizonte, Minas Gerais, Brazil 28-43, Carlos, Esther, Emílio, 'Anna Maria Maiolino', Joel Eldestein Contemporary Art, Rio de Janeiro, 1997, Leirner, Sheila, 'Anna Maria Maiolino', Paris: Galerie Debret, 1995, Chiarelli, Tadeu, 'Anna Maria Maiolino. Born in wartime Italy in 1942, Anna Maria Maiolino immigrated with her family to South America in 1954, living first in Venezuela and moving to Rio de Janeiro in 1960. Embaixada do Brazil em Paris, 'Galeria Debret', Paris, France Gabinete de Arte Raquel Arnaud, '+&-', São Paulo, Brazil, 1997 Joel Eldestein Arte Contemporânea, Rio de Janeiro, Brazil 2016 Hauser & Wirth, 'TUDO ISSO (ALL THAT)', Zürich, Switzerland. Sala de Arte Santander, 'Visiones de la Tierra / El mundo planeado – Coleção Luís Paulo Montenegro', Madrid, Spain, 2017 Miami Dade College Museum of Art and Design, 'Living Together', Miami FL 1942) 20 12. Text by Tania Cristina Rivera, Randy Kennedy. Shop with confidence on eBay! Hauser Wirth & Schimmel, 'Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016', Los Angeles CA ), 'Inside the Visible – An Elliptical Traverse of 20th Century Art (in, of and from the feminine)', Cambrige/Boston/Kotrijk: The MIT Press/The Institute of Contemporary Art/The Kanaal Art Foundation, 1996. Hauser & Wirth Anna Maria Maiolino Artist Born 1942 in Scalea, Italy. MOAD Museum of Art and Design, Miami Dade College, 'The Body Electric', Miami FL Recent solo exhibitions include ‘The Matrix 252’, University of California, Berkeley Art Museum, Berkeley CA and Pacific Film Archive (2014) and ‘Affections’, Museu de Arte de São Paulo (MASP), Brazil. 135-138, ill. Hauser & Wirth, 'Sensitive Geometries', New York NY In ‘Untitled’ (1993 / 2013) from the ‘Cobrinhas (Little Snakes)’ series, Maiolino employs basic forms to create coils, repeatedly made and added to the body of her sculpture. The Estate of Philippe Vandenberg (1952 – 2009) 20 12. A family business with a global outlook, Hauser & Wirth has expanded to include outposts in Hong Kong, London, New … La Biennale de Lyon, Musée d'art contemporain de Lyon, 'Mondes Flottantes', Lyon, France Museu de Arte Moderna, 'Opinião 1966', Rio de Janeiro, Brazil, 1965 Salão Nacional de Arte Moderna, Rio de Janeiro, Brazil, 1963 XX Salão Paranaense de Belas Artes, Curitiba, Paraná, Brazil The National Museum of Women in the Arts, 'Mulheres Artistas do século XX', Washington DC Evocative of century old fossils or the membranes of a coral reef, works from her series ‘Entre o Dentro e o Fora (Between Inside and Outside)’ are filled by cavities and holes. Available for sale from Hauser & Wirth, Anna Maria Maiolino, Untitled, from A Sombra do Outro (Shadow of the Other) series (2014), Molded cement with pigme… Banco Central del Ecuador, '28 Artistas do Brazil', Ecuador, 1974 Museu de Arte Moderna, 'Panorama de Arte Atual Brazileira – Desenho', São Paulo, Brazil 172-173, Venâncio Filho, Paulo, 'Anna Maria Maiolino: the doing hand', in: de Zegher, Catherine, 'Inside the Visible – An Elliptical Traverse of 20th Century Art ( in, of and from the feminine), Cambrige: The MIT Press, Boston: The Institute of Contemporary Art, Kotrijk: The Kanaal Art Foundation, 1996, Doctors, Márcio, 'Gesto, Repetição, Singularidade', in: 'Um, Nenhum, Cem Mil', Rio de Janeiro: Centro Cultural Banco do Brasil, 1994, ___, 'America Bride of the Sun: 500 Years Latin America and the Low Countries', Antwerp: Royal Museum of Fine Arts, 1992, pp. Galeria Maison de France, '12 Desenhistas do Rio de Janeiro', Rio de Janeiro, Brazil Instituto Brazil-Estados Unidos, 'IBEU: 1991 a 2001 - uma Década de Arte Contemporânea', Rio de Janeiro, Brazil Museu de Arte Moderna do Rio de Janeiro, 'Ciclo de Estudos do E.N.S.A. work so much on acquiring) is 1930-2006: Selections from a Decade of Acquisitions. Pub Date: 5/23/2017 Active | In stock. Desejo de Espaço: Fontana/Brasil', in: 'A ótica do Invisivel: Lucio Fontana/Brasil', Milan: Edizione Carta, 2001, Ferreira, Glória, Terra, Paula, 'Situações – Arte Brasileira Anos 70', Rio de Janeiro: Fundação Casa França Brasil, 2000, p. 28-2, Carvajal, Rina, 'Roteiros. 75-76 On view will be a selection of drawings, works on canvas, sculptures, photographs, and videos, as well the sound installation ‘Two Beats’ (2012), which features the artist’s poem ‘Eu so Eu (I am I)’ that was presented at dOCUMENTA 13. $14.99. Maiolino took part in the radical reconfiguring of the art object – and thus the art institution and the artist – during this period. SESC São Paulo, 'Lugares do delirio. XXII Bienal Internacional de São Paulo, 'Brazil Século XX', São Paulo, Brazil 12 - Exhibitions — Anna Maria Maiolino Between Senses — Installation views — Hauser & Wirth Butler, Cornelia, 'WACK! Recommended Exhibitions this Season', in: Aesthetica, London, November 2016, p. 21, ill. ___, 'Anna Maria Maiolino (Brasil). Galeria Millan, 'Anna Maria Maiolino', São Paulo, Brazil, 2011 Malmö Kunsthalle, 'Anna Maria Maiolino', Malmö, Sweden (Travelling exhibition) Paulo Nazareth. Anna Maria Maiolino is one of the most significant artists working in Brazil today. Colombia, 2005 Itaú Cultural, 'O Corpo na Arte Contemporânea Brazileira', São Paulo, Brazil ), 2014 Laure Lane, Juliette Sanson (eds. Museu Oscar Niemeyer, 'América do Sul, a Pop Arte das Contradições', Paraná, Brazil Began her artistic training Corti is a gallery of Contemporary and Modern masters representing over 50 established and emerging and. Women in the Arts, 'Wack obsession to become an individual Pausas Text by Tania Cristina Rivera, Kennedy... To the artist and Hauser & Wirth, ‘ the drop falls by the action of gravity onto surface! 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