The video, too, is a thing of intimate simplicity: four people sheltering in place share the things that bring them comfort — books, toy robots, pinball machines and the Steinway piano that is Ólafsson's companion in his own isolation. Given lost concert revenues in 2020, Martin stated, the chorus is raising funds for the concert program that will include Noble’s piece. Enjoy the goofball charm of a funk prodigy. Did you start your Etsy shop or OnlyFans this year? In 2020, my attention span shrank to tweet-sized, and Sam Hunt's "Hard to Forget," clocking in at just over three minutes, became the only song I wanted to hear. The first is the feeling it articulates, a kind of longing mixture of grief and desire that often goes unspoken due to the shame of it all. The Czech composer's melody gained lyrics and became this song, one that improvisers now play as a modern black spiritual. Normally, as we prepare to turn the calendar to January, I would be writing about the top concerts of the past 52 weeks. Within two weeks of TikToker Keara Wilson uploading her own choreography to the song, a viral dance challenge took off, leading to more than 3 million unique videos being posted to the platform. We're fully through the looking glass that "Old Town Road" held up to the pop charts, so a masked singer flipping Rascal Flatts' frosted-tips version of the country ballad "Bless the Broken Road" into a hood anthem feels right on time. Chilean-French artist Ana Tijoux charges into the political hellstorm of 2020 with that same energy, her fast-paced delivery heating up with every pulsing beat. Mrs. Coltrane's transcendent version of "Going Home" from Lord of Lords provides some foundation, and you get that tug from harpist Brandee Younger's glissandi. Maybe that's why Perfume Genius' perfect, throbbing ode to infatuation saw me through some particularly dark moments this year. Its roster is stacked, and its raunch is right and just, with features by veterans Jowell & Randy and Ñengo Flow and a production master class from Tainy and DJ Orma. Or maybe it's just that the song, with its mix of aching vulnerability and commanding certainty, its romantic guitar lines and marvelously messy music video, is an unimpeachable delight. To hell with writing a book during quarantine; I could barely stomach a few sentences without pausing to doomscroll. The two of them harmonizing on the chorus at the end is one of the most beautiful things I heard all year. Top Dawg / RCA / YouTube. The 100 Best Songs Of 2020: 100-81 / 80-61 / 60-41 / 40-21 / 20-1. —Lyndsey McKenna, Through a pandemic, a tumultuous election and an uprising in response to police brutality and racial injustice, musicians in 2020 kept on creating. The track's breathless percussion resembles U.K. funky on amphetamines, with the treble and bass trying to outdo each other for a solid 5 minutes. I wish I lived next door. "How many boys could they haul off this mountain, shoot full of holes, cuffed and laying in the streets," he presses in his strenuous, cutting vocal attack, "'til we come into town in a stark raving anger, looking for answers and armed to the teeth?" songs that go 'la la la' By talkaboutpopmusic.net. Lakecia Benjamin joins an impressive list of interpreters that includes saxophonists Yusef Lateef, Archie Shepp and Albert Ayler. Let's be honest, the most fun part of a good pop song is often when you get to belt out some "na na"s, "doo doo"s or "la la"s unabashedly. From the COVID-19 pandemic to the toilet seat challenge, there were many things I wished I could banish for good. Marcus Strickland adds a woody timbre on bass clarinet over a rolling pulse before Benjamin's alto sax goes full praise to bring it home. "I Know the End" begins with Phoebe Bridgers dreamily singing about the road's boredom while romanticizing the quiet life at home. —Nikki Birch, "Local Radio" channels the fist-pumping rhythms of The Go-Go's and joyful bounce of '80s-era R.E.M. Raunchy, fun and infinitely quotable, she joins Megan Thee Stallion for a shameless ode to, well, wet-ass p****, that flies in the face of those who might suggest these women's sexuality is a shortcoming. 10 Timeless Political Songs for Election Day A cliché collection of anthems you'll sing today, tomorrow, and 50 years from now ... and 50 years from now . Songs that contain la or la la or even la la la. / La lalala At its core, "WAP" is Cardi and Meg's assertion that their expression, both artistic and sexual, belongs to them and them alone. Quality Control / YouTube. —Joni Deutsch (WFAE), "Murder Most Foul" begins as a rumination on the cold, calculated assassination of John F. Kennedy. —Lars Gotrich, In October, the xx's Romy Madley Croft shared a playlist with a to-the-point title: "Emotional Music to Dance To." Listen to Music Paper #6 LALALA (Again, We) - Single by Music Paper on Apple Music. In other words, it's perfect. with the alternating power chords and muted-palm chug of early Weezer. Learn a new skill to save some coins? [Chorus:] / Oh, you touch my tralala, / Mm my ding ding dong. The ladies alternate between a more typical youthful girl group concept and flirtier sections with heavy bass and raps, keeping things interesting. Together, they are magic. Hear the roar. ... A painter paints, a singer shares his song. —Suraya Mohamed, Nothing on pop radio went this hard in 2020. But gradually, it draws inward, becoming a song about the danger, violence and rupture that the world presents and the way small moments of intimacy can create a shield against them. This time Alt.Latino fave Xenia Rubinos adds a sultry vocal that made me think "of course she would sing on this" as soon as I heard it. Michael W. Brinkman is pleased to announce that a four-part arrangement of one of his Christmas songs will be performed by The Washington Chorus (TWC). Indeed, out of pandemic fear and the depths of despair came this beautiful quarantine classic. When we wanted to smile without looking at our phones, buoyant distractions abounded. Fortunately, Jeff Parker's song, "Go Away," from his February release, Suite for Max Brown, provided the sweet escape I craved. Here, Dre Babinski, a.k.a. Either way, I'm grateful for it. "I Fell In Love" has the immediate sonic identity of Helado Negro's work: ethereal instrumentation creates a dreamlike bed for Roberto Lange's whispered vocals. Bookended by "Lifetime," her debut solo single, and a remix of the song by Planningtorock, it's a guide to a microgenre (featuring Robyn, Christine and the Queens, and King Princess) meant to elevate your heart rate while activating your tear ducts. —Bobby Carter, Obviously, 2020 was a year bursting with problems we wished would disappear. "Repeat" just feels good, an offering of escape in both sound and lyric that lives up to its name with ease. The second is Jazmine Sullivan's voice, which conjures both fragility and resilient soul at once. Knowing that Lenker's latest albums were written in the aftermath of a breakup, it's hard not to hear heartache beneath the song's romance; "Didn't you believe in me," the way she sings it, can sound like a plea for reconciliation from an ex-lover or an acknowledgement of gratitude. Back to normal, and this time, everything's a little brighter. The rawest scorched-earth breakup song of the year doubles as proof that the Jersey girl Ashley Frangipane can more than handle a country song. (Disclosure: My colleague, NPR Music editor Daoud Tyler-Ameen, is the drummer of this D.C. band. It then uses two verses to give context and meaning to the chorus. While "Fade Into You" is informed by '90s alternative music, "Eugene" is infused with the R&B of Corrine Bailey Rae and Aaliyah. Just past the song's halfway point, he turns to a trusted source — his record collection — and begins the most unusual litany of disassociated listening recommendations ever recorded. It could be that he's just rattling stuff off the top of his head. "Play 'Mystery Train' for Mr. A Black songwriter raised in South Carolina, Victoria contrasts the love she feels for her home with an acknowledgement of its painful, ugly past. Figure out how to make money off a hobby? Alfredo, his collaborative project with The Alchemist, was the album I couldn't escape in 2020 and its best track is a four-minute movie on wax featuring a call for revolution, a run-in with the law, and hip-hop's biggest boss, with media personality Scottie Beam serving as the song's muse. Sincerity is indeed currency, which is why 20 years from now, "A Hero's Death" will still resonate. ), The 100 Best Songs Of 2020:100-81 / 80-61 / 60-41 / 40-21 / 20-1, If there's one thing City Girls know how to do, it's stay with a bag. —Gini Mascorro (KXT 91.7), This highlight from Moses Boyd's Dark Matter is captivating: Boyd's drumbeat keeps driving, while the song's R&B core anchors jazzy adornments and syncopated eighth notes. J Hus takes up hook duties; the deep, warm tones of his voice offer a lovely contrast to Koffee's feathery singing. A slow-burn that gradually rips open the heart with every note, "Lost One" (her first solo single in a half-decade) is some of Sullivan's finest and most wrenching work. —Kevin Cole (KEXP), The Largo theme from Dvorak's Symphony No. "People, I've been sad" is an odd breakup song in that, instead of addressing her beloved, Chris breaks the fourth wall, asking the audience to bear witness to her sorrow. Both Bey and Meg approach this collaboration as a balancing act: they work to be relatable to listeners, with references to current trends, while presenting themselves as untouchable by their peers. or...well, you get it! "Walk Until I Ride" is her chance to summon the righteous determination of down-home, civil rights-era soul. Across its numerous beat drops, tempo changes and layered, iconic samples, "Safaera" cites forebears from Missy Elliott to Alexis y Fido to DJ Nelson, creating a perreo textbook with a deep respect for its history and a celebration of reggaeton's roots in community. If you have a song to be added email steve@talkaboutpopmusic.com. Uplifted by a soaring-eagle riff, "Ancestral Recall" neither leans on Thou's extreme doom or Emma Ruth Rundle's post-rock gloom; instead, it discovers a third stream somewhere between Soundgarden and Stevie Nicks, rendering the song's existential crisis a defiant triumph. —Tarik Moody (88Nine Radio Milwaukee), It's always cool when your favorite artists collaborate in a way that reflects their individual creative energies. Play on Spotify Promotion Singles. He applied all of that to "Long Violent History," a shambling string band waltz that he stuck at the end of a brief collection of old-time fiddle tunes and paired with an explanatory YouTube video and a liner note essay from Dom Flemons for added context. (That number now sits at a cool 29.5 million.) Meg is a more traditional stylist, whose voice oozes unassailable confidence, while Cardi is all theatrics and humor, effortlessly selling every last line, no matter how ridiculous (or anatomically incorrect) — a synergy that refracts the best qualities of one through the prism of the other. Sadness becomes theater rather than a diary entry. Read or print original Ding Dong Song lyrics 2020 updated! Find more of Y2K lyrics. If racism, xenophobia and sociopathic behavior made us want to scream, Black musicians found astonishingly inventive ways of saying "um, did you just start paying attention?" Thanks to a "wait, what" music video destined to haunt the footnotes of viral marketing guides, there's no separating the song from the flak vest it arrived in, no way to imagine hearing it except at gunpoint. Across its 11 minutes, "Holy Mother" feels preparatory and prayerful, an appropriate posture in a plagued year. "Hit Different" opens with an emotive chorus, handled by hip-hop and R&B's go-to gun for hire and carried by a deceptive simplicity, made compelling by Ty's gravelly vocals. Cardi B dropped exactly one song this year, but after "WAP," any more might have been overkill. —Bob Boilen, Some songs just nail what it feels like to find what you're looking for after a lifetime of false starts and psychic bruises. But … —Marissa Lorusso, With three new albums under his belt, Bad Bunny made 2020 his most prolific year to date, with "Safaera" serving as his dizzying opus. 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